Author: eohara (Page 23 of 28)

QCQ #2 – 1/30/23

Quote: 

“Let your eyes be blind to all external attractions, your ears deaf to all the fascinations of flattery and light discourses. – These are nothing – and worse than nothing – snares and wiles of the temper, to lure the thoughtless to their own destruction. Principle is the first thing, after all; and next to that good sense, respectability, and moderate wealth. If you should marry the handsomest, and most accomplished and superficially agreeable man in the world, you little know the misery that would overwhelm you, if, after all, you should find him to be a worthless reprobate, or even an impractical fool”(112).

Comment: 

This quote gave me a strong feeling of foreshadowing the events of Helen’s future marriage, which seems to prove true. Yet, moving out of the confines of the plot, I saw an opening into what women considered when talk of marriage arose. Helen’s aunt is her mother figure for her, and because Helen’s age of 18 is mentioned, we can deduce that it is about that age when society felt women should start thinking of marrying. Remembering the laws surrounding marriage from the Bodichon reading, what her aunt is relaying might feel quite cautionary and too serious from Helen’s perspective; knowing how much of a woman’s autonomy is given up after marriage in the eyes of the law it makes perfect sense for mothers or women authority figures to engrain such a cautionary mindset in young women.

Question: 

This quote also made me think of a part in Barbra Leigh Smith’s remarks section where she says, “It is always said, even by those who support the existing law, that it is in fact never acted upon by men of good feeling. That is true; but the very admission condemns the law, and it is not right that the good feeling of men should be all that a woman can look to for simple justice. This is the usual argument to support all bad laws” (9). I wondered how we might extend the work Brontë is laying out for us here, that women must be cautious and consider men when marrying not for looks, accomplishments, or even love but as this type of cover against the law. If women have no legal recognition after marriage, they must ensure their husbands will not give them a reason to need legal protection. This very case, I feel, is what Helen is struggling with – she does not realize how defenseless her position becomes when attaching herself to a man like Huntington and why there is such an aversion to her feelings toward him from her aunt, who has learned the constraints of a woman’s power. Also, I might ask how this novel paints a “man of good feeling” that differs from those who would put women in a negative place within the law. 

Journal entry #1 & 2 – 1/27/23

Journal Entry #1 

Two important points and most significant takeaways from this chapter stemmed from the overarching idea that good communication is essential to any professional sphere within the focus of writing. The first lies in the ability to have control and understanding of grammar and the techniques of writing. The biggest misunderstanding the text explains from this idea is that our education system has made grammar secondary to the expression of ideas and creativity within students. The correction of this idea, I feel, is incredibly essential – not only is creativity enhanced by the ability to freely experiment with thoughts and ideas clearly and effectively made possible by those “persnickety” rules of writing, but creativity also goes to waste when an individual cannot express themselves because their own writing hinders it. 

Another point from this section of the book expresses that being accountable for writing well is impacting more individuals than before, as technology has enabled one person to do the job of many in previous years. This brings in the importance of feeling confident in skillfully writing for an audience, presenting not only yourself but your place of employment and sometimes even a representative of an entire profession in the highest light. Connecting back to the most prominent theme when exploring professional and technical writing, good communication, the text stated, “Regardless of what profession you ultimately choose, you will almost certainly be using these skills every single day, both on the job and off”(20). 

Journal Entry #2 

As discussed in the chapter on plain language, one of the big points focused on deciphering the style and intent of academic versus business writing. From this, the discussion on specialized writing tended to align with written works in academic fields where knowledge of specific jargon, background knowledge, and format tends to be structured based on particular disciplines. Whereas business writing gears toward generalist strategies where “This audience calls for a less specialized vocabulary and less complex set of concepts”(27). Additionally, professional writing can feel more stylized in visual matters like images, lists, and graphics to make the information easier to present (26).

 Leading from this, the second essential point is the concept of plain language or plain English. Unlike the lesser-known jargon in fields like law, plain language emphasizes “concrete and specific examples rather than abstractions to be as clear as possible” (27). Again, the idea of creating effective and efficient communication based on serving a wide range of prospective audiences comes back to learning, sometimes relearning, the formats, tools, and techniques to offer clarity. In that same line, it is helpful to maintain the perspective of business and career writing where revenue and spending are taken into account; the easier it is to convey the purpose of written works, the success often follows when misunderstandings, complaints, and costs are reduced due to plain English writing.

QCQ #1 – 1/23/23

QCQ #1 

Quote: “A man and woman are one person in law; the wife loses all her rights as a single woman, and her existence is entirely absorbed in that of her husband. He is civilly responsible for her acts; she lives under his protection or cover, and her condition is called coverture. A woman’s body belongs to her husband; she is in his custody, and he can enforce his right by a writ of habeas corpus (4). 

Comment: These two laws concerning women seem to encapsulate the themes in many of the more specific laws covered by these pages. When first stated that a man and woman become one when we think of this today; it reads as a nice sentiment and often has religious implications of unity and harmony in a spiritual. Yet, after looking at the rest of the laws and the context of how little agency women had in marriage, it really reads that it isn’t one person shared by two governing bodies but just the absorption of the woman. Also, considering the image we looked at as a class of the life and age of women, it holds true in the law that women are at their most powerful when single. Although I find it interesting that, socially and culturally, it was the norm for women to be in charge of the household and children, the laws that reflect the role of women regarding children hold all the responsibilities to the husband. 

Question: I wonder when socially, the sentiments turned toward women being the most likely to take custody of their children and, most often, the decision maker regarding their upbringing. I also noticed in Brontë’s novel that in the scene where Gilbert and his family address Mrs. Markim’s ability to raise her son, the level of outspokenness seems so progressive, and I wonder about the reception of this part in particular from critics and the public. I remember Brontë mentioning in her preface the critiques of her novel, but with the laws surrounding marriage during this period, I would imagine that her ideas would seem entirely atypical, whereas today, it seems perfectly acceptable. 

Final Draft & Framing Statement

Framing Statement:

Thinking about the work I have done for my major in English and Political Science and then reflecting on this semester’s coursework in literary criticism, for one, I noticed an incredible overlap between the topics and theorists we covered and those within my political science courses. I knew that my two majors complimented each other well just based on bolstering my writing and reading skills, but I hadn’t thought about the possibilities of topics of literary criticism and theory such as Marxism, post-colonial studies, Freudian psychoanalysis, and feminist theory to appear even within my intro-level political science courses. In past English courses, especially ENG 229, which looked at the origins of the novel, I found many connections within our course surrounding narratology and the structures of literature, as well as where the role of authors comes in when analyzing their work. Taking this into account, I feel that the cultural and intellectual relevancies from my two majors extend our work across disciples by utilizing well-known theorists, concepts, and cultural markers to engage with specific areas of each major that left me with a feeling of cohesion, knowing what I am studying has broader implications and significance. 

Within the learning outcomes for my English major, I found the point of being able to “Read texts closely and critically through the conscious application of methods and insights drawn from a range of critical theories” went well with this project as I had to analyze two primary works, one being outside of this class and find and explain their relevance within two theories. Another category was “Demonstrate a comprehensive understanding of literature in English with special attention to theory and criticism as a field,” which I felt was the very claim I tried to make within the project. Looking to theory and criticism as a way to enhance and deepen our understanding of literature is vital.

 I thought of this project as an in-depth and reflective scavenger hunt, and looking back through all of the work I did this semester showed me how many directions, and interesting perspectives can arise from theory. Through the modality of an essay, I feel that I have interpreted primary pieces of literature and connected them to various theories while gaining an understanding of those far-reaching historical and cultural moments that created them. 


Final Project Essay:

Notes & Pitches

Theories of interest

Structuralism

  • Connection to the narratology aspect and how it can connect to previous works from ENG 229, what makes the novel “novel” with aspects of the structure and assumptions of how a novel as a genre came to be.
  • PSC 210 con-law with discussions of frameworks and how certain things are framed (legal concepts connection).
  • Texts:

Psychoanalysis

  • Connection to Foucault and Freud in PSC 105
  • Avenues for Feminist criticism within our review of Virginia Woolf and how that story can be a lens to discuss both.
  • Texts:

New Criticism

  • Avenue to discuss what theory I don’t like as much and highlight its shortcomings with contemporary examples of ways that literature is connected to outside issues and relevancies
  • development of feminist theory to then queer theory and gender studies as a response to the cultural and academic need to press further and expand the role literature plays as well as postcolonial and race studies.
  • New questions can be asked that prompt different analyses and exploration of a certain theory.
  • Texts:

QCQ #10 – ENG 206 11/18/22

Quote: “I can’t believe we made it (This is what we made, made)/ This is what we’re thankful for (This is what we thank, thank)/ I can’t believe we made it (This a different angle)/ Have you ever seen the crowd goin’ apeshit? Rah

Comment: These lyrics from “Apesh*t” by The Carters seemed to highlight the elements within Parker’s section on race studies within Post Colonial and Race Studies where the black community can critique and draw new forms of historical awareness to previously normalized renditions of whiteness. As from the chapter, “they honor the past, critique it and change it, and make it their own” (342). I felt that these lyrics are exemplified in the music video as the countless paintings and sculptures all depict this sense of whiteness, yet, at the same time, we know the historical truths of how art and culture were advanced by the work and exploitation of black people. For the Carter’s to bring awareness to that in the form of celebration, they can now take their realities of history and culture into the center of what was usually reserved for white society. 

Question: 

I might raise the question of how this could fit into the concept of double consciousness as presented in Parker’s chapter through the excerpt by W.E.B Du Bois on how “this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity” (329). I thought that maybe this video and song point to the fact that it is usually this balance between cultures, either American or African American, and by the expression within the video, it might be allowing a blend of the two in both response and denial of those separations. 

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